Mad March 2019

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[Shuz]
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Re: Mad March 2019

#16 Post by [Shuz] » Thu Mar 14, 2019 1:48 pm

I have seen quite a number of Fringe shows this year. Here's my rating for each of them.

Club Briefs - 5.0 / 5.0
Life the Show - 3.5 / 5.0
Yummy Deluxe - 4.5 / 5.0
Lano and Woodley - 5.0 / 5.0
The Best of the Fest - 2.0 / 5.0
Stephen K. Amos - 1.5 / 5.0
Another Night at the Musicals - 3.5 / 5.0
Little Death Club - 2.5 / 5.0
Carlotta - 4.0 / 5.0
By a Thread - 0.5 / 5.0
The Magnets - 4.5 / 5.0
Jackson vs Jackson - 5.0 / 5.0
Go Your Own Way - 3.5 / 5.0
Werewolves - 4.0 / 5.0
Any views and opinions expressed are of my own, and do not reflect the views or opinions of any organisation of which I have an affiliation with.

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Re: Mad March 2019

#17 Post by Jaymz » Fri Mar 15, 2019 11:03 am

claybro wrote:
Thu Mar 14, 2019 1:25 pm
Was in Adelaide a couple of weekends back for a function, with a mate from Perth. Spent a great Saturday night bar hopping from West end to East end including a bite in Peel street. A seriously good night, and my mate was genuinely very impressed by the vibe in Adelaide.-The venues, the variety, the lack of menacing homeless drug addicted beggars, it all had a really lively, safe and well managed feel to it. I have noticed also over here now, the old jibes and memes about Adelaide seem to be becoming a thing of the past. Viewing Adelaide from out of state now, it really is emerging as a world class city.
Yep agreed, it just seems to get better and better. Even some of the outer areas are seeing the changes too. I've been living in the south west corner of the city for 7 years now, and i've seen Gilbert Street turn into a pretty cool strip over that time. Over the other side of KW is Halifax Street, one of my favourites for its sheer visual appeal.... it has a few cool eateries too but could easily handle a couple more.

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Re: Mad March 2019

#18 Post by ghs » Sun Mar 17, 2019 5:02 am

Adelaide Fringe has smashed its box office record with an impressive 825,000 tickets sold, a 17 per cent increase on last year – the biggest boost in recent years.

Organisers say the diversity and accessibility of this year’s program of 1326 events – along with great weather, a rising number of visitors and the introduction of e-ticketing – has contributed to the record-breaking ticket sales worth $19.4 million.

With the Fringe ending tomorrow night, festival-goers still have hundreds of free and ticketed events to choose from in the final two days – including their last chance to immerse themselves in the stunning Yabarra: Gathering of Light.

More than 200,000 people have already visited the free cultural experience down at the River Torrens near the University of Adelaide footbridge from 8.30pm on every night of the Fringe.

Adelaide Fringe Director and CEO Heather Croall, who oversaw her fourth Fringe this year, said she was particularly impressed with the calibre of events in this year’s festival and the level of support from the general public.

“The buzz around Adelaide has been absolutely electric and we are just blown away with what we’ve been able to achieve this year, from record-breaking ticket sales and improving accessibility to putting on one of the biggest celebrations of Indigenous culture that this city has ever seen,” Ms Croall said.

“We’re so proud of this year’s program and the reaction from audiences. It’s been really inspiring to see so many artists pushing boundaries and presenting ground-breaking work that people who otherwise feel marginalised can relate to. The party’s not over yet, though! We’re hoping for a fabulously successful closing weekend to put the icing on the cake of what has been a truly magical and unforgettable Fringe season.”

This weekend is also an opportunity to support the many smaller venues offering quality programming in this year’s Fringe, with many presenting shows recognised by the festival’s 2019 Weekly Awards.

These include Holden Street Theatres, the Noel Lothian Hall at Adelaide Botanic Garden, La Boheme, A Club Adelaide, The Mill, Nexus Arts, Rhino Room, The National Wine Centre, Live from Tandanya, Bakehouse Theatre, Treasury 1860 and The Garage International at Adelaide Town Hall. Overall winners of the 2019 BankSA Fringe Awards are set to be announced during a ceremony at Plant 4 Bowden tomorrow night.

Smaller venues made up 50 per cent of ticket sales while the three major outdoor hubs (the Garden of Unearthly Delights, Gluttony and RCC Fringe) had the remaining 50 per cent.

“One of the many reasons our festival is so unique is the way Fringe venues big and small – from RCC Fringe to the GC at Grand Central – pop up all over Adelaide’s CBD, suburbs and regional SA. We have hundreds of venues to explore, and getting out to as many as possible is an important part of the Fringe experience. I hope to see festival-goers spread out far and wide this weekend.”

Following the success of last year, Adelaide Fringe has again removed inside charges for tickets under $35 and halved the inside charge for all others, resulting in an amazing $17.5 million in box office settlements paid out to Fringe artists and venues. This is an injection into the arts direct from artists to audiences.

Adelaide Fringe also continued to improve on its accessibility initiatives, which this year included partnerships with Deaf Can:Do and the Royal Society for the Blind along with the appointment of a Diversity and Access Co-ordinator.

The 2019 Fringe on Tour saw Fringe performers pop up in IKEA Adelaide and Murray Bridge for the first time in addition to Port Adelaide, Rundle Mall, Adelaide Airport, Westfield shopping centres and as far away as Port Augusta (Desert Fringe).

Both in their third year, Fringe Mount Gambier and uneARTh Festival Whyalla Fringe are still on their way from March 22-31 and April 18-21 respectively.

Adelaide Fringe Board Chair David Minear said the 2019 Adelaide Fringe owed its success to the hard work of artists, venues, staff and volunteers along with the support of its audiences and corporate and government partners.

“So many people own this wonderful success. Of course, it starts with our talented and hard-working artists, unique venues and the dedicated Fringe team,” Mr Minear said. “A close second are the people of South Australia who whole-heartedly embrace all that the Adelaide Fringe has to offer year after year. This is indeed ‘the people’s festival’. We are also blessed to have such strong corporate support and also from the State Government. Our success is also their success.”

Continued support from Principal Partner BankSA saw Fringe-goers take advantage of BankSA’s Support Act program, which has so far seen more than 800 tickets sold to shows by independent and emerging artists by subsidising ticket prices to the public.

BankSA Chief Executive Nick Reade said Adelaide Fringe’s positive impact on South Australian businesses was one of the many reasons that BankSA was proud to have partnered with the festival for the past 14 years.

“It’s been amazing to see Adelaide come alive for the Fringe season and so many people supporting the Fringe – especially BankSA customers, who have enjoyed a wide range of benefits, such as 25 per cent off selected shows, priority access and other exclusive deals,” Mr Reade said.

“I’m anticipating that the record-breaking ticket sales will have translated into a significant economic boost for our state when Adelaide Fringe releases its Annual Review results later this year.”

Next year’s Adelaide Fringe will see the festival celebrate its 60th anniversary after first being held in 1960. Adelaide Fringe is calling on the public to share their favourite festival memories via an online survey (www.surveymonkey.com/r/adlfringe60).

Adelaide Fringe also recently announced that next year’s festival would host the Fringe World Congress, for which directors and delegates from more than 100 Fringe-style arts festivals around the world would converge on Adelaide.

The 2020 Adelaide Fringe will run from February 14 to March 15. For more information, visit adelaidefringe.com.au.


2019 FRINGE FACTS

2019 Adelaide Fringe featured more than 7000 artists, 1326 events and 517 venue spaces

The program included 340 comedy shows, 276 music events, 156 theatre productions, 135 cabaret shows, 86 visual arts and design exhibitions, 77 children’s events, 75 special events, 52 circus/physical theatre events, 36 dance acts, 46 interactive events, 25 magic shows and 10 film and digital events

Expected ticket sales of 825,000– an increase of 17 per cent on last year
This year’s Ambassadors were award-winning comedian Judith Lucy, international cabaret star Hans and AFL legend turned visual artist Gavin Wanganeen

The Street Art Explosion program saw two new works commissioned for this year’s festival bringing the total number to 34
Adelaide Fringe produced 13 special free events, including Tindo Utpurndee – Sunset Ceremony, Yabarra: Gathering of Light, Street Art Explosion and the Fringe on Tour

More than 100 new venues took a chance on the Fringe for the first time, while many existing venues have grown and reinvented themselves in a number of ways. Shows popped up in all sorts of quirky places – from a hot air balloon and a boat to a swimming pool and a caravan park

More than 50,000 people gathered along War Memorial Drive and the banks of the River Torrens near the University of Adelaide footbridge on Friday, February 15, for the Opening Night celebrations including 20,000 who attended Tindo Utpundee – Sunset Ceremony.

More than 200,000 have viewed the Yabarra: Gathering of Light projections since Opening Night

More than 240 festival directors and arts venue presenters from 25 countries participated in Honey Pot, an arts marketplace where directors buy artists’ shows for their festivals.
The Adelaide Fringe is the largest annual arts festival in the Southern Hemisphere and the second-largest Fringe in the world behind Edinburgh

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Re: Mad March 2019

#19 Post by claybro » Mon Mar 18, 2019 3:43 pm

Interesting that 200000 have attended Yabarra. Of all the great things about the festival, this wasn't one of them. I thought the display was most underwhelming, and some of the inflatable displays downright tacky. People wandering around on the bank seemed to be a bit lost, bored or bewildered. I thought the displays on the North Terrace buildings in years past were much more spectacular as a lighting show.

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Re: Mad March 2019

#20 Post by crawf » Mon Mar 18, 2019 4:30 pm

claybro wrote:
Mon Mar 18, 2019 3:43 pm
Interesting that 200000 have attended Yabarra. Of all the great things about the festival, this wasn't one of them. I thought the display was most underwhelming, and some of the inflatable displays downright tacky. People wandering around on the bank seemed to be a bit lost, bored or bewildered. I thought the displays on the North Terrace buildings in years past were much more spectacular as a lighting show.
Nothing will beat the North Terrace display.

It's a shame they no longer have the Fringe Opening Parade.

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Re: Mad March 2019

#21 Post by ghs » Tue Mar 19, 2019 9:43 am

claybro wrote:
Mon Mar 18, 2019 3:43 pm
Interesting that 200000 have attended Yabarra. Of all the great things about the festival, this wasn't one of them. I thought the display was most underwhelming, and some of the inflatable displays downright tacky. People wandering around on the bank seemed to be a bit lost, bored or bewildered. I thought the displays on the North Terrace buildings in years past were much more spectacular as a lighting show.
The North terrace lights had been going for a few years so they needed to try something new
however I agree Yabarra was dull, it really needed some live performers to make it more entertaining.

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Re: Mad March 2019

#22 Post by claybro » Tue Mar 19, 2019 6:50 pm

ghs wrote:
Tue Mar 19, 2019 9:43 am
claybro wrote:
Mon Mar 18, 2019 3:43 pm
Interesting that 200000 have attended Yabarra. Of all the great things about the festival, this wasn't one of them. I thought the display was most underwhelming, and some of the inflatable displays downright tacky. People wandering around on the bank seemed to be a bit lost, bored or bewildered. I thought the displays on the North Terrace buildings in years past were much more spectacular as a lighting show.
The North terrace lights had been going for a few years so they needed to try something new
however I agree Yabarra was dull, it really needed some live performers to make it more entertaining.
So has Vivid Sydney, but I don't see them abandoning that any time soon.-Given the North Terrace lights popularity, I would have thought they could expand it, rather than the insipid cringy cultural display on the riverbank they ended up with.

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Re: Mad March 2019

#23 Post by ml69 » Tue Mar 19, 2019 11:24 pm

claybro wrote:
Tue Mar 19, 2019 6:50 pm
ghs wrote:
Tue Mar 19, 2019 9:43 am
claybro wrote:
Mon Mar 18, 2019 3:43 pm
Interesting that 200000 have attended Yabarra. Of all the great things about the festival, this wasn't one of them. I thought the display was most underwhelming, and some of the inflatable displays downright tacky. People wandering around on the bank seemed to be a bit lost, bored or bewildered. I thought the displays on the North Terrace buildings in years past were much more spectacular as a lighting show.
The North terrace lights had been going for a few years so they needed to try something new
however I agree Yabarra was dull, it really needed some live performers to make it more entertaining.
So has Vivid Sydney, but I don't see them abandoning that any time soon.-Given the North Terrace lights popularity, I would have thought they could expand it, rather than the insipid cringy cultural display on the riverbank they ended up with.
I’ve had this idea for years that Northern Lights should greatly expand, to include North Tce PLUS Victoria Square as a site. Then we could light up Adelaide Town Hall (I know not strictly in Vic Sq), GPO building, Supreme Court, Magistrates Court and St Francis Cathedral etc. Then use the Vic Sq lawns as some giant carnival/food festival site, similar to the Royal Croquet Club when it was held there. Maybe we could even add in a “fire” component, as Hobart’s Dark MOFO festival has.

Importantly, I’d shift the event from Mad March to early October, after footy finals have finished but coinciding with October school holidays. This would beef up Adelaide’s springtime festival calendar which is a bit sparse at the moment.

We know for a fact that Northern Lights attracts huge crowds to the city. Yeah it would be similar to Sydney’s Vivid Festival, but then then many cities have copied Adelaide’s Fringe and Festival as well.

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Re: Mad March 2019

#24 Post by ghs » Fri Mar 22, 2019 11:03 am

On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.

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Re: Mad March 2019

#25 Post by rev » Fri Mar 22, 2019 3:00 pm

ghs wrote:
Fri Mar 22, 2019 11:03 am
On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.
Go to the pub and get pissed with the other bogans.

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Re: Mad March 2019

#26 Post by gnrc_louis » Sat Mar 23, 2019 11:42 am

rev wrote:
Fri Mar 22, 2019 3:00 pm
ghs wrote:
Fri Mar 22, 2019 11:03 am
On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.
Go to the pub and get pissed with the other bogans.
Yeah, David Sefton - the RCC Artistic Director this year is definitely a huge "bogan" :roll:

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Re: Mad March 2019

#27 Post by rev » Sat Mar 23, 2019 5:49 pm

gnrc_louis wrote:
Sat Mar 23, 2019 11:42 am
rev wrote:
Fri Mar 22, 2019 3:00 pm
ghs wrote:
Fri Mar 22, 2019 11:03 am
On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.
Go to the pub and get pissed with the other bogans.
Yeah, David Sefton - the RCC Artistic Director this year is definitely a huge "bogan" :roll:
Who? and who cares.

RCC is just an extended piss up. Nothing special about it anymore. Lolas Pergola and Bario were much better then RCC ever was, and they were cut. RCC is well past it's used by date. Time to let it go, and move on to the next thing.

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Re: Mad March 2019

#28 Post by Nathan » Sat Mar 23, 2019 9:01 pm

RCC was significantly different this year compared to previous years. It was very clear that they've repositioned the event with a much greater emphasis on programming (and that's where bringing Sefton on was very important). They've ditched the croquet gimmick, played down the bar aspects, and sold it as something that sits between the Fringe and the Festival.

It's funny that you ask who Sefton is, and then praise Barrio and Lola's Pergola — considering he was the festival director for 2013-2016.

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Re: Mad March 2019

#29 Post by Nort » Mon Mar 25, 2019 10:33 am

ghs wrote:
Fri Mar 22, 2019 11:03 am
On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.
There's a big difference between a weekend event and something lasting weeks on end.

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Re: Mad March 2019

#30 Post by ghs » Mon Mar 25, 2019 3:02 pm

Nort wrote:
Mon Mar 25, 2019 10:33 am
ghs wrote:
Fri Mar 22, 2019 11:03 am
On the topic of Victoria square, this weekend the opera 'Carmen' will be on there. It's a joke that the tour
down under and the state opera can use Victoria square but then the Fringe or RCC can't.
There's a big difference between a weekend event and something lasting weeks on end.
Brother, it took a week to setup everything for Carmen and I believe that some of the infrastructure is going
to stay there for tasting australia which will finish around mid april. So Carmen / tasting australia is using
Vic. Square for a month.

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